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Shepard is a terrific mimic, and manages to give each one of his narrators a slightly different voice, wrinkling some stories with subtle irony, leading others the pomp and swagger of a professional boxer--The Boston Globe.
- Sales Rank: #554443 in Books
- Brand: Vintage
- Published on: 2008-08-12
- Released on: 2008-08-12
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .69" w x 5.12" l, .55 pounds
- Binding: Paperback
- 224 pages
Features
From Publishers Weekly
Following the novel Project X and Love and Hydrogen: New and Selected Stories, Shepard's new collection takes in landscapes as diverse as 1986 Chernobyl in "The Zero Meter Diving Team," to 1840s down under in "The First South Central Australian Expedition." It's clear that Shepard has done his research in these 11 first-person tales-be it on Alaskan tidal waves for a story about a man contemplating a vasectomy while reliving a childhood tragedy in "Pleasure Boating in Lituya Bay" or Sherpas and the Chang Tang tundra in "Ancestral Legacies", and his precision gives the poignant longing and human emotion of the stories room to resonate. Save for "Eros 7," about a lovelorn Soviet Cosmonaut set during the US/Russian space race, all are the stories are told by men, often with few female characters. At the core, each is essentially an exploration of familial relationships between men-be it the ill-fated trio of brothers working at the nuclear reactor or the unhappy adolescent camper calling home to find out about his mentally disturbed younger brother in "Courtesy for Beginners." Shepard's far-flung explorations get very close to the male heart.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Recently nominated for the National Book Award, Jim Shepard’s latest collection of short stories struck a chord with reviewers, who couldn’t agree on which stories were the best. Though each story is related through first-person testimony, Shepard gives each narrator his or her own voice with its own subtle nuances, and he masterfully sets the characters’ internal conflicts at odds with their external predicaments. The characters are convincing despite the incredible dilemmas they face, and the stories themselves are at once deadly serious and darkly humorous. Shepard’s tales may be bleak: some reviewers found the unrelenting hopelessness a bit wearying and urged readers to savor them one at a time. Yet Shepard’s compassion and sympathy shine through in what reviewers claim is his best work yet.
Copyright � 2004 Phillips & Nelson Media, Inc.
Review
“Forged from the world with a sharp eye and a careful ear, serving no agenda but literature's primary and oft-forgotten one: the delight of the reader.” —The New York Times Book Review“Gutsy, brilliantly imagined, strongly made, fresh and propulsive.” —Chicago Tribune“With a near spooky sense of empathy and a wit that finds its mark like lightning, the stories in Jim Shepard's Like You'd Understand, Anyway transport readers light-years beyond what they think they know of the world.” —Vanity Fair“Exquisite, multifaceted tales.” —The New Yorker “A macro book with a micro eye. These wildly diverse stories share a fascination with the inevitable cost of familial obligation and the inescapable fallout from disaster, both natural and human-made.” —Los Angeles Times Book Review“Cannily crafted. . . . The stories couldn't be funnier-or deadlier-in this mad-smart, wildly inventive set.” —Elle “Jim Shepard is really a terrific writer. And it's not just the precision of the sentences. . . . It is the way he captures people throughout time with such an exact piercing, as though he's mapped out every corresponding nerve that can make us go weak at the knees.” —Providence Journal“An astounding set of stories . . . so dangerously brilliant, they're radioactive.” —O Magazine
Most helpful customer reviews
9 of 9 people found the following review helpful.
Please Read This Book!!!!!!!
By J. Morris
This is the book that made me a Jim Shepard fan. Time Magazine, in its "Best Of" for 2007, called it off-beat. I like to think of the stories as very human. You probably know next to nothing about Hadrian, Cosmonauts or executioners living during the French Revolution- and I know even less. But what makes these stories stand out is the combination of sympathetic, conflicted characterizations, vivid imagery and flashes of humor. Shepard isn't a best-selling author by any means- when I borrowed his second collection,"Love and Hydrogen," from the Library it turned out no one else had- but for anyone looking for involving, energetic storytelling should give this book a chance.
2 of 2 people found the following review helpful.
Reflection
By Russell G. Moore
The funniest thing happened while reading "Like You'd Understand, Anyway". I didn't like it. I was telling myself how absurd these stories were and I should just put this thing down. I wasn't connecting with the book. The characters were weird and the endings were weirder.
After plodding through the book, I found myself thinking about the stories. The tsunami in Alaska, the weird family in The Zero Meter Diving Team, the soldier with the wacko father. I actually enjoyed reflecting in those stories and characters. It was like Shepard wrote the book that way. It was so far out that it burned onto your psyche.
It makes me think of some of the other books that I didn't finish because I wasn't into them. What did I miss?
Bravo! Bravo for Like You'd Understand, Anyway. It's the finest book I ever hated.
13 of 14 people found the following review helpful.
Like you'd understand, anyway
By Stephen Balbach
Like You'd Understand, Anyway is a collection of short stories written over a 4 year period by Jim Shepard, professor at Williams College in Massachusetts. The stories vary widely, but an underlying structure subtly percolates through, barely wetting our feet, inviting the curious to seek out the source of the spring. As Shepard says in an interview for the 2007 National Book Award nomination: "while lots of people have talked about how different my narratives and/or my narrative voices might be, the emotional preoccupations tend to be very similar. I probably obsess about the same five things, over and over."
The book is dedicated to Shepard's brother, and most of the stories explore brotherly relationships, in particular how "the past enters and floods our present" (p.140) - the football player in "Trample the Dead" who finds motivation in the pain of his past and future brother; the summer camp kid in "Courtesy for Beginners" whose brothers trauma inescapably creates his own nightmare. As the picture on the cover suggests, the more two brothers (or fathers and sons) struggle to achieve identity, the more their lives intertwine and become indistinguishable, driven by the "tsunami" of people and events outside their control.
As the self-referencing title of the book alludes, this is a somewhat post-modern book, the stories are not really about anything, they often end with no satisfying closure or even a discernible plot. Yet it is more than a self-conscious artsy exploration of post-modernism, its true value lays in how the subtle yet powerful stories come together to form a whole greater than its parts, and Shepard's uncanny ability to convincingly place the reader into the mind of anyone, anywhere. Shepard finds the smallest detail to bring alive a scene, time and place so that it convincingly reads like a non-fiction memoir. For example in the first story, "The Zero Meter Diving Team", about survivors of Chernobyl, Shepards "voice" is almost indistinguishable from real-life accounts such as those found in the non-fiction work Voices from Chernobyl: The Oral History of a Nuclear Disaster (2005).
There are no bad stories, but my favorites are "Trample the Dead" (high-school football), "Pleasure Boating in Lituya Bay" (1958 Alaskan tsunami), and "The First South Central Australian Expedition" (19th century Australian explorers). A book like this probably won't attract the typical non-fiction die-hard, but it could; most of the stories are based on historical incidents - there is a lengthy bibliography of non-fiction works used in its creation - and as all good fiction does, it explores the emotional side of things in a way non-fiction rarely achieves.
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